Showing posts with label Historical Fiction. Show all posts
Showing posts with label Historical Fiction. Show all posts

Saturday, September 17, 2011

A Rose Before Dying (A Second Sons Mystery) by Amy Corwin


Kindle Price:
$2.99
Available from:
Amazon,
B&N, and
Smashwords
Authors Website: 
http://www.amycorwin.com

Only Sir Edward had the motive, the opportunity, and a garden full of the identical roses sent to each victim before their death.

The first victim was Sir Edward's ex-mistress, a woman who threw him over for a younger man. After receiving a mysterious rose, she dies while alone with Sir Edward. Then a second rose is delivered and a deadly game commences, where roses are the only clues to save the next victim.

However, Charles Vance, Earl of Castlemoor, refuses to believe his uncle, Sir Edward, could commit the murders, even when the renowned head of the Second Sons Inquiry Agency warns him there may be some truth behind the rumors. "The roses are Sir Edward's attempt to cast suspicion elsewhere." "Misdirection." Or so the whispers say.

Convinced he can prove his uncle's innocence, Vance enlists the aide of notable rosarian, Ariadne Wellfleet, little realizing his actions will involve the Wellfleet household in the killer's game.

Before the week is out, another rose is delivered.

And someone else is missing.

A Rose Before Dying is a witty, fast-paced historical whodunit in the tradition of Bruce Alexander's Blind Justice and Victoria Holt's The Mistress of Mellyn. This addition to the Second Sons mystery series includes
an unwilling detective who refuses to let his earldom stand in the way of catching an elusive killer. It will keep you guessing until the unexpected end.

Bio:
Amy Corwin is a charter member of the Romance Writers of America and recently joined Mystery Writers of America. She has been writing for the last ten years and managing a career as an enterprise systems administrator in the computer industry. She writes Regencies/historicals, mysteries, and
contemporary paranormals. To be truthful, most of her books include a bit of murder and mayhem since she discovered that killing off at least one character is a highly effective way to make the remaining ones toe the plot line.
Amy's books include three Regency romantic mysteries, I BID ONE AMERICAN, THE BRICKLAYER'S HELPER, and THE NECKLACE; the historical mysteries, THE VITAL PRINCIPLE and A ROSE BEFORE DYING; and her first paranormal, VAMPIRE PROTECTOR.

Join her and discover that every good mystery has a touch of romance.

Excerpt 

Miss Wellfleet's fingers pushed the petals into a line on the table and hovered over them. Thirteen petals, thin and wilting, spread in a tattered line. The slender spray was dying. The small, tight buds had already
blackened and hung limply. His chest tightened with frustration. Then with a theatrical gesture that suggested more defiance than scientific inquiry, she ripped apart the remaining flowers. She arranged the petals in three parallel lines, one for each flower. The roses didn't all have the same number of petals. The first had thirteen petals. The next had eleven. The final rose had seventeen.  After examining what remained of the stalk, the yellow stamens, and leaves, she looked at him. Although she didn't precisely shrug, there was a quality in her
expression that spoke of disdain when she said, "Rosa Collina fastigiata." 
"That's it?" His tired disappointment reminded him of the lateness of the hour. Useless. He needn't have come here at all. Lee had it right thefirst time.
"Well, yes. What were you expecting?"
"Something.more. A name."
"That is a name." Irritation sharpened her voice. "Or Flat-Flowered
Hill Rose, if you prefer an English one."
"You're sure?"'
Her eyes hardened. "As sure as I can be from this small spray."
A life could be saved if he interpreted Rosa Collina fastigiata properly.
How many people named Collins lived in London? Unless the clue rested with the English name, Flat-Flowered Hill Rose. Did this blossom point to a location instead of a person?
Time was slipping away.

Interview with Amy Corwin

What will readers like about your book?
Readers who remember the classic mysteries from authors like Mary Stewart or historical mysteries from Victoria Holt and missed them, will enjoy the Second Sons line of mysteries. They combine the intrigue of a mystery with a fascinating glimpse into our past. Rest assured, each mystery stands alone and it is unnecessary to read them in any particular order. For those who like a touch of romance with their mystery, the Second Sons mysteries dovetail with the Archer family series. There is crossover between the characters and a wider view of Society during the first half of the 19th century, although again, each book stands alone.

Why did you self-publish?
I've worked with agents and have some books that are traditionally published, but since it takes me about 2 years to produce a book, it might be up to six years before that book hit the shelf. In addition, it was
difficult to find an audience. By moving into self-publishing, I could cut down on the time from the completion of a book until it "hit the shelf" and I had more control over key elements like the covers and classification.
This has proved to be a successful strategy for me as not only have my indie books done well, but they've expanded the audience for my traditional books, as well.

What is your writing process?
Once I get a story idea, I do some basic research to frame it and create a bare-bones outline. The "outline" is really just a blank file with chapter headings. Under each chapter heading are about three things that I feel I
must accomplish that chapter, written as bulleted items. It can be a clue that must be found or a conflict that must arise or be resolved. After that, I start writing. The outline often has to change as the story develops so
I'll move around the bulleted items or revise them as I go. Since I work a day job, I write in the evenings after dinner, and on weekends. I try to write about 5 pages a day.

Once the first draft is done, I put it away and work on another book. I won't touch the first one for at least 3 months since I need to "forget it" to come into the editing stage with fresh eyes. When I pick it up again, I'll go through it once for structure, once for characterization/descriptions, and then at least one more time for
nit-picking. I also send chapters to other writers and critique groups to get their input during the editing stage.

It generally takes about two years from start to finish.

How long does it take you to write your first draft?
It take me approximately six months to write the first draft of a novel.

What inspired you to write this particular story?
I've been growing Old Garden Roses for close to fifteen years now and at meetings of our rose society, we often get asked to identify older roses that folks have found abandoned by old home sites. It's more of a challenge than folks realize as there are literally thousands of roses and each rose can have many, many names. One day when I was looking at several specimens of medium pink roses a story idea came to me. If a murderer sent a rose that indicated the next victim, could a detective really identify it in time to save the victim? That idea inspired "A Rose Before Dying" where the amateur detective faces that very challenge.


Tuesday, September 6, 2011

Spoil of War: An Arthurian Saga by Phoenix Sullivan

Spoil of War: An Arthurian Saga
Kindle Price: 
$2.99
Available from:
Amazon US Kindle
Amazon UK
Barnes and Noble
Smashwords
Authors Website: 
phoenixsullivan.blogspot.com

"SPOIL OF WAR is a fascinating account of early Britain; a gripping tale of lust, love and the horrors of ancient warfare. Beautifully written, filled with myriad period details and compelling characters, it takes you deep into the heart of a brutal era - and into the nature of feminine honor, feminine courage. I was enthralled." - Jennifer Blake, NY Times Bestselling Author
__________

Elsbeth of Olmsbury desires nothing beyond helping her father run his dukedom - until the duke's forces are overwhelmed, his castle torched and Elsbeth seized for the invading king's personal spoil. Expecting the same abuse as the other surviving women of her house, Elsbeth instead finds the king, Leodegrance, treating her with a civility that belies his flagrant desire for her. A desire that will have her his consort in Cameliard once he can convince her rank and duty alone forced his hand against her father.

But Elsbeth is not so easily won. There is the matter of Leodegrance gifting his steward with an unwilling young handmaid from Elsbeth's household. Of his marriage of convenience to his Byzantine queen. And of his plans to subjugate more of Britain's citadels and unite the wild isle under Roman rule.

If Elsbeth can't find her tangled way to forgiveness with the king - or escape the dark designs and perverse desires of Uther Pendragon, enemy to them both - then a legend of Camelot may never be conceived, never be born, and never change history forever ...

112,000 words; about 440 pages.

Bio:

Over the years, Phoenix Sullivan's short stories have been published under her real name in various pro anthologies and magazines. Marion Zimmer Bradley (Mists of Avalon) was her first editor. In the corporate world, Phoenix was a professional writer and editor for 23 years. Before that, she was a registered veterinary technician, working with small animal clinics and wildlife rehab centers. She now takes care of an array of beasties on her small farm in North Texas.

Excerpt 

With bruising suddenness, Leodegrance whirled, pulling Elsbeth fiercely to him. He bent his neck, swept back her hair, and took her throat in his mouth. His hands clutched at her back, drawing her as near as their garments would allow.

“I could force you to submit.”

“You could.”

With a shuddering breath he released her. As quickly as he had taken her, she was free. He paced the room with long strides and measured breath. An angry lion schooling himself to patience. She breathed in the scent of him — ­mead and sweat and musk. The fire in the middle of her being spread. A demanding flame.

“Why are you doing this to me?”

Her laugh was sharp, shrill. “You could ask me that after what you’ve done to me?”

“But you want me. You want —”

“I want to be free.”

He caught her again, crushed his lips to hers. She responded, unable to help herself, unable to resist. “Your body knows. One night, Lady.”

He was warm beneath her hands. Warm and tense, hard and leanly muscled. Indeed her body did know. It ached for him, would draw him down into it if she surrendered her will for even a moment.

She held tight. The hands that of themselves had caught at his neck and shoulder she used to push away from him.

“By God, Lady, you would refuse a king?”

“I would refuse a murderer.”

“That was war. It’s what you do in battle.”

“Then war is murder.”

“And every man’s son a murderer, then. Look about you, Lady. Who is clean enough to share your bed?”

“Then let my bed go unshared until I die.”

He shook his head. “Passion runs too high in you. You couldn’t live by the vows of Christ’s brides.”

“For this one night I shall. Leave me.”

His jaw twitched, and for a moment Elsbeth thought he would hit her for her haughtiness. His right fist clenched once, unclenched slowly.

“I shall have you. By my life and crown and kingdom I swear I shall have you!”

“And by your honor you will not. That was the oath that you first swore.”

Leodegrance’s anger rose. So did his hand. Elsbeth saw it, refused to cower beneath the blow that must accompany it.

“Damnation!” The hand closed around the base of a golden candlestick. Only Elsbeth’s widened eyes betrayed her fear. The candlestick flew, crashing against the far wall.

Two strides and the king was at the door. It opened before he could touch the latch and Ector, in splendid naked wrath, burst in, his sword high before him. His gaze swept in the king, the room, Elsbeth all in the space of a heartbeat. The blade fell a fraction. “My Liege, all is well?”

Leodegrance scowled. “All is not well. God’s greatest mistake was to give women wit and the will to use it.”

Interview with Phoenix Sullivan

What will readers like about your book?
Many of my readers have fallen in love with the heroine, Elsbeth. The story is told from her point of view only and it's easy to bond with her as she struggles to grow beyond the circumstances war has forced upon her and, ultimately, to find the capacity to love in a dark and uncompromising time.

Why did you self publish?
In a way, I think Spoil of War is a poster child for the right reasons to self-publish. The manuscript made the rounds among agents and traditional publishers, and the overall reaction was that the writing was great and the story engrossing ("I literally couldn't put it down," one agent told me) but, ultimately, it wasn't marketable through traditional channels. I was asked to either revise it to lose some of the emphasis on romance or to pump up the romance and incorporate the POV of a “hawt” hero to match contemporary conventions. In either case, the resulting book would not have been this one.

I think readers will read books that don't fit comfortably on a specific genre shelf if those books are well-written and well-formatted and include the themes and emotions, characters and situations that readers love. Through no fault of traditional publishing – it is a business after all – readers aren't given that range of options in the traditional publishing space.

Having industry professionals express enthusiasm for Spoil of War validated that it's a professional-quality book, so I was confident I wasn't going to be insulting any readers by putting it out myself.

What inspired you to write this particular story?
Well, I have a Masters in English with a concentration in Medieval Studies, as well as a minor in European history. I was also involved for several years with the Society for Creative Anachronism, a group dedicated to recreating the Middle Ages – if not exactly how it was, how it should have been. It's no wonder the Arthurian legend has always been a favorite of mine! I wanted to create something that wasn't simply a reboot of the legend but that added texture and context to the canon. Some of the characters here you'll know, but many of them are new, so it gave me the opportunity to offer the excitement of discovery within a not-quite-unfamiliar tale.

Monday, August 15, 2011

Rudy, Looking for Love by Phoebe Matthews


Kindle Price:
$2.99
Available from:
Amazon US Kindle
Apple 

Author's websites:
phoebematthews.com

Rudy, Looking for Love, Chicago 1880s trilogy Marshall Field's motto was "Give the Lady what she wants!" and God knows, Rudy tried. When the Columbia Exposition brought the glamourous Lillian Russell home to Chicago, Rudy Schillmann and thousands of other small boys fell madly in love. The rest of them grew up to find more suitable loves. Rudy grew up but he missed the next step.

From the author of My Deja Vu Lover, a romance moving from contemporary Seattle to Hollywood, 1925.

Bio:
Phoebe Matthews currently writes the Mudflat urban fantasy series for BookStrand and the new Turning Vampire series for Dark Quest Books as well as the Sunspinners series and the Chicago 1890s trilogy. Her current books and backlist books are described on her website. Phoebe has been published by Avon, Dell, Holt, Putnam, Silhouette. Most of her books are set in the Pacific Northwest where she lives and where the constant rain and fog hide a lot of weirdness.

Excerpt 

She was a candle flame in their center, her red-gold mass of curls tumbling beneath her high feathered hat, her bodice foaming with lace ruffles beneath her diamond collar and across the swell of her breasts. Her waist was so narrow he could imagine spanning his hands around it. Her skirt billowed in cloudlike draperies that hinted at the shape of her hips, the length of her legs, before swirling behind her and up into the layered bustle.
Above the street smells of horses and lanterns wafted a heavy sweetness of her perfume. Rudy pinned his hands more firmly in his pockets, but his feet moved without his permission, a step toward her, and his mouth went slack with the sight of her.
His mind screamed, "Caroline."
His mouth whispered it.
She turned, barely, her head moving above the diamond collar, her eyes swinging more rapidly.
Had she heard him? He thought he would die. Had he said her name aloud? Had he dared to? And if the gentlemen heard him, what would they do to him?
But the gentlemen moved forward, outbiding each other as they raised their hands to summon the carriage, to open the door, to sweep and gesture around her as though each owned her.
Over their shoulders her glance returned to Rudy, her lids lowered almost not at all, but her mouth moved in a secret smile and he knew that she had seen him.
She always saw him.
One of the men placed his hand at her waist to help her into the carriage and Rudy imagined the way that straight spine felt beneath the white silk.
Long after the carriage rattled away, he pressed himself against the dry bricks of the theatre's alley wall, still warm from the day's heat, and ran his damp palms down his trousers to dry them, and wondered what it would be like to touch her, the crisp hair, the silk skin, the soft mouth.
He knew that she was the Mrs. Leslie Carter of the trial of six years earlier, something that had happened when he was a boy and made her a famous name, but he didn't care and never asked anyone about her past. Today she was Mrs. Leslie Carter of the stage, a presence so blinding that when she swept toward the footlights, the audience and theatre and stage and other actors disappeared and all Rudy saw was Mrs. Leslie Carter.

Interview with Phoebe Matthews

What will readers like about this book?
It has received 5 star reviews which maybe answer this question better than I can. Two said:
5 stars
... I tend to think of Chicago as 1920s mobsters ... It's a delight to discover another era and quite another view of the city. Poor Rudy is a charmer too!
--R. Jones on Amazon

5 stars
...what really made this story a winner was the opportunity to be part of such a fabulous vignette of this time in history.
--Lee Reads on Amazon

Why did you self publish?
I didn't want to bend the stories to genre rules.

What is your writing process?
I spent years, literally, in the university's research room going through old copies of the Chicago Tribune to get the dates and incidents right. And then I made careful calendars and finally the whole trilogy became a detailed outline. And THEN I started writing.

How long does it take you to write your first draft?
I don't set time lines. This story started in my head years ago, and I thought I would write it as one long novel. But then I realized it was actually a collection of stories, and so I broke it up into three parts,

What inspired you to write this particular story?
The stories were passed down in my family, and then I added fiction to tie them together. Some are true as they stand, some are exaggerated, and some are pure fiction and on pain of painful death at the hands of family members, I won't say which is which.

Tuesday, August 9, 2011

Calling Crow (Book One of the Southeast Series) by Paul Clayton



Calling Crow (Book One of the Southeast Series)Kindle Price:
$2.99
Available from:
Amazon US Kindle
Amazon US Paperback
Author's websites:





 1555. Calling Crow is haunted by his recurring dream of the Destroyer who will one day lay waste to his village. Then Spanish colonial slavers from the island of Hispaniola arrive on the shores of the Southeast, lands that have been home to the Muskogee people for generations. Calling Crow and another brave are taken and bound into slavery. Life in the gold pits and slave camps is humiliating and brutal, but Calling Crow refuses to let them break his spirit. Aided by a kindly priest, Calling Crow vows to learn the language and ways of an overwhelmingly powerful enemy in order to eventually save his own people. But first he must regain his own freedom.


About Paul Clayton

Paul Clayton is the author of a three-book historical series on the Spanish Conquest of the Floridas-- Calling Crow, Flight of the Crow, and Calling Crow Nation (Putnam/Berkley), and a novel, Carl Melcher Goes to Vietnam (St. Martin's Press), based on his own experiences in that war.

Carl Melcher Goes to Vietnam was a finalist at the 2001 Frankfurt eBook Awards, along with works by Joyce Carol Oates (Faithless) and David McCullough (John Adams).
Clayton's latest book-- White Seed: The Untold Story of the Lost Colony of Roanoke-- is a work of historical fiction.
Paul currently lives in California, with his son and daughter.


 


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Wednesday, August 3, 2011

White Seed: The Untold Story of the Lost Colony of Roanoke by Paul Clayton

White Seed: The Untold Story of the Lost Colony of RoanokeKindle Price: 
$2.99
Available from:
Amazon US Kindle

Amazon US Paperback
Barnes and Noble
Diesel Books
Kobo
Apple
Authors Website:
www.carlmelcher.com


What really happened to the Lost Colony?

From Publishers Weekly: White Seed... hews closely to the record of Sir Walter Raleigh's second doomed attempt to plant the British flag in Virginia... The depiction of the colony's physical and moral disintegration between 1587 and 1590... evokes a harrowing sense of
human fallibility. Readers... will find this saga, which... soon achieves page-turner velocity, to be both a dandy diversion and an entertaining education.


Excerpt 

Chapter 1

Spring, 1587, Plymouth England…

Maggie knew that this old man would do to her what the other had—if he could get her alone. She stood on the deck of Sir Walter Raleigh’s ship, the Lion, the afternoon sun burning through her simple gown of green linen, as she waited for her turn to be interviewed for a place in Raleigh’s New World Virginia Paradise. She had not eaten all day and the stench of garbage and pitch pine from the harbor threatened to make her retch. The old man, a sailor with a gray goat’s beard sprouting from his chin, sat at a table ten feet away, writing in a black
leather-bound ledger open before him.

Maggie Hagger, seventeen years of age, had long, red hair and a fair, pretty face flecked with freckles. The ship, although tightly tethered to the quay, moved slightly on a swell. Maggie took her eyes off the man to look up at the looping white of the furled sails as they moved
slightly across the blue vault of the sky. Like a graceful swan, this ship would take her far away to safety upon its downy back—if she got a contract of indenture! And get one she must—or hang!

“Next!” the old sailor said finally.

As Maggie approached, she looked to her left at twenty-five or so common people dressed in plain brown woolens and homespun, whose terms of indenture had already been purchased. They waited in the stark sunlight with their belongings in shabby bundles about their feet. On
the other side in the shade cast by stacks of wooden pens containing sheep and hens, about a dozen of the better sort, dressed in fine clothes and wearing hats of bright colors, talked softly. They were all watching Maggie expectantly.

“Name?”

“Maggie Hagger.”

He had an ugly voice like the bark of a dog, recalling to Maggie the bray of the man who had pursued her and Thomas halfway across England. She remembered their escape from the London warehouse in the blackness of night. They had crept along the slippery stones of the exposed banks of the Thames as a horrid, faceless man shouted after them, “Redheaded
whore! Wherever you go I will find you. Hear me! I will find you and you shall hang!” Maggie suspected that the man had had some connection to Thomas’s master.

Thomas, who was two or three behind Maggie in the line, called to her,
“Worry not, Maggie. We will soon be aboard.”

Maggie prayed that he was right. A fellow countryman, Thomas had been her traveling companion for much of the last year, but it was by chance and not choice. A dull looking, straw-haired lad of eighteen, Thomas stood out only by virtue of the jaunty fig-colored felt hat upon his head, its crown bulging up roundly like the crust on a newly baked pie.
The old sailor continued his scribbling and then looked up. “Step up, wench. Quickly!”


About Paul Clayton

Paul Clayton is the author of a three-book historical series on the Spanish Conquest of the Floridas-- Calling Crow, Flight of the Crow, and Calling Crow Nation (Putnam/Berkley), and a novel, Carl Melcher Goes to Vietnam (St. Martin's Press), based on his own experiences in
that war. Carl Melcher Goes to Vietnam was a finalist at the 2001 Frankfurt eBook Awards, along with works by Joyce Carol Oates (Faithless) and David McCullough (John Adams). Clayton's latest book-- White Seed: The Untold Story of the Lost Colony of Roanoke-- is a work of historical fiction.


Interview with Paul Clayton


N.L.Earnshaw: What will readers like about your book?

Paul Clayton: I think the readers will like the verisimilitude, the period flourishes, the ‘touch’ of ‘olde’ English, the ‘social realism.’ At least I’m hoping they will. There is no magic for these people to rely upon, only their wits, their courage and the few friends they have in
their new ‘neighborhood.’ I’m confident that most women readers will appreciate these things. And I also know that many male readers like the book as well, especially the action sequences.

N.L.Earnshaw: Why did you self publish?

Paul Clayton: Although I’ve professionally (commercially) published four novels, publishing is in a state of disarray and has been for the last five years or so. Selling a book can take years. Once sold, as much as four years can pass before that book finds its way to the shelves. I simply cannot wait that long anymore.

N.L.Earnshaw: What is your writing process?

Paul Clayton: Like most writers, I have a day job and a family and a social life. I write when I can, mostly on the weekends, occasionally during lunch, sometimes late in the evenings.

N.L.Earnshaw: How long does it take you to write your first draft?

Paul Clayton: The first draft takes from six months to a year to write.

N.L.Earnshaw: What inspired you to write this particular story?

Paul Clayton: I read a little of the history and was hooked. What we do know of this story is based on the historical writings of the governor, John White, and his associates. But we don’t know the story of the ones left behind. With the help of the muses, and a study of what happened to later colonists at Jamestown, I have pieced it all together. ;)





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Monday, July 4, 2011

Sultana: A Novel of Moorish Spain by Lisa J. Yarde


Kindle Price:
$3.99
Available from:
Amazon US Kindle
Amazon.co.uk
Amazon Germany
Author's websites:
www.lisayarde.com
My Blog
Twitter: @lisajyarde

In thirteenth-century Moorish Spain, the realm of Granada is in crisis. The union of Fatima, granddaughter of the Sultan of Granada, with the Sultan’s nephew Faraj has fractured the nation. A bitter civil war escalates and endangers both Fatima and Faraj’s lives. All her life, Fatima has sheltered in lavish palaces where danger has never intruded, until now. 

A precocious child and the unwitting pawn of her family, she soon learns how her marriage may determine her future and the fate of Granada. Her husband Faraj has his own qualms about their union. At a young age, he witnessed the deaths of his parents and discovered how affluence and power offers little protection against indomitable enemies. Guilt and fears plague him. Determined to carve his own destiny, Faraj struggles to regain his lost inheritance and avenge his murdered family. 

Throughout the rugged frontiers of southern Spain, the burgeoning Christian kingdoms in the north and the desert states of North Africa, Fatima and Faraj survive ruthless murderers and intrigues. They unite against common enemies bent on destroying the last Moorish dynasty. While Fatima and Faraj establish a powerful bond, the atmosphere of deceit creates opportunities for mistrust and tests their love.

About Lisa J. Yarde

Lisa J. Yarde is the author of On Falcon's Wings and Sultana. She is passionate about history and writing. Her love of the past inspires her to write historical fiction. Her favorite period is medieval, an interest which began in her childhood. Since she crafted her first stories about knights and castles in junior high school, she has not stopped writing. She loves to travel, and research on her books has taken her to England, Spain, Portugal and Barbados. She currently lives in New York.

Excerpt

Fatima gritted her teeth together and expelled a sighing breath. “Very well, I’ll indulge you both in this foolishness. Come, let us see this fraud.”

They crossed the street, avoiding refuse and excrement, while a cadre of the guards and their servants surrounded the stall. Niranjanheld aside the low curtain hanging over the entryway. Fatima glanced at him briefly, but he averted his eyes from her. She entered first and asked the little girl with black eyes for the fortune-teller. She led them behind a cloth curtain and gestured to the lone seat at a table.

Behind it, a shriveled figure with lips drawn tight over her teeth peered at them in silence. A ring of seashells, all oddly shaped, dotted the edge of the table, with one black pebble in the center. Fatima grinned at this poor mockery of mystic symbolism, but Shams ed-Duna urged her forward.

The gypsy woman bowed her head. “Peace be with you.”

Fatima asked, “And with you. Are you the one who speaks of the future?”

“Do you wish to know the future, noble one?”

Ignoring Nur al-Sabah’s gasp, Fatima leaned forward. “Why do you call me ‘noble one’ when you do not know me?”

“It is what you are.” The woman turned to the girl hovering at her side. Whispering in some language other than Arabic, she waved the girl away.

The child soon returned with a cup of fragrant tisane, which the woman offered to Fatima. “It cannot harm you.”

Fatima glared at her companions, both of whom nodded. She drank the brew, bitter to the tongue at first, but sweeter as she continued. She finished and handed the cup to the woman, who said, “If you could swirl the cup, noble one?”

Fatima ground her teeth together, but complied. She set the vessel down with an abrupt clank. A few of the leaves clung to the sides and bottom. Her gaze fixed on the woman who nodded. “We must wait for the leaves to settle.”

When Fatima groaned, Shams pressed a hand against her arm. “Be patient.”

After an interim, the gypsy asked, “What is it that you wish to know, noble one?”

Fatima countered, “Tell me what you see.”

The woman stared into the cup and after a brief interval, she pronounced, “The future of Gharnatah lies within you.”

Fatima smiled at her companions. “You see? An answer, if I can call it such, without any meaning. Just as I expected.” She stood and looked down her nose at the gypsy. “Can your leaves tell you anything about me?”

The woman stated, “Nothing you would believe, princess of Gharnatah.”

Nur al-Sabah pecked at her arm and whispered something, but Fatima stilled her and leaned toward the gypsy. “Why do you call me a princess?”

“It is what you are. As I have said, the future of Gharnatah lies within you. Already, you carry one of its heirs in your womb, your son, who shall become the Sultan of Gharnatah.”


Interview with Lisa J. Yarde
What will readers like about your book?

Sultana is a story of revenge and intrigue, the bonds of family and the redemptive power of love. The themes are always in contrast, from light to dark, love to hate. They touch on visceral emotions that everyone has felt at some point in their life.

The story takes place during a turbulent period in 13th century Moorish Spain, when the union of a child bride and her groom, precipitates a civil war. Fatima is the young granddaughter of the reigning Sultan of Granada and Faraj is his nephew. Although the couple is part of the same renowned family, each has separate, sometimes contrary interests.
Fatima is utterly devoted to her family while Faraj, who is ten years older than her, has one cause in mind – to regain a heritage lost at the brutal death of his father. I hope readers will share my fascination with the Alhambra, the Moorish period, and Fatima and Faraj’s lives.

Why did you self publish?

I had submitted Sultana to an agent who signed me, in the hopes of publishing it traditionally. After pitching it to several houses, some of whom admired the work but declined to publish it for a variety of reasons, I decided to self publish. It helped that I had completed the process with an earlier book. I knew what to expect and more importantly, the resources I would need for creating a good product.

What is your writing process?

I spend a lot of time on research even before I write. I love historical fiction, part of the difficulty lies in obtaining good sources. For instance, Fatima may have been as young as eight years old or as old as twelve when she married – the sources do not agree. Also, the final end of the antagonists the couple faces is uncertain.
That is the difficult part of attempting to tell this story. It is nearly impossible to be 100% certain of the events that occurred. I have found the best method for handling this problem is to review a variety of sources. If most point to a particular event happening on a certain date, even with a few contradictions, I go with the most popular date.

Another challenge is to develop characters and personalities for figures who have been long dead, while being true to their documented personalities. With Sultana, I relied on some good sources from Spanish Christian history but often, the adage that history is written by the victors has been true in this case. I had to unravel a lot of misinformation before I could get down to the writing.

I used to wake up and write very early in the morning, but lately, with the demands of my job and personal life, I tend to write whenever I can. Since I’m writing about historical figures, I have a framework for laying subplots on. History will tell you “what” and “when” and, if you’re very lucky, you’ll learn “how” too. But the key ingredient that’s often missing is “why” and event occurred.

I like character sketches, as they help create a complete view of a historical figure. It’s important to know how my hero / heroine should react in various scenes. I also define chapter goals at the outset when I settle down to write; one – two statement summaries of the main goals of the POV character. From there, I determine how the goal could be best achieved and importantly, what other characters might do to thwart that goal. It helps me keep conflict throughout the story, as each chapter progresses.

How long does it take you to write your first draft?

I worked on the draft for a little over a year. I spent several years before that, as I alluded to above, on the research.

What inspired you to write this particular story?

During my college years, I was fascinated to learn that there had been an Islamic presence in Europe. For seven hundred years, a diverse people known as Moors had ruled what would become one of the most influential Catholic nations. The thirteenth century in Spain was a brutal and turbulent era, as most of the medieval period, but it was also the flowering of an age of artistic, intellectual and architectural brilliance in Spain. 
Fatima and Faraj played pivotal roles in the history of that period, as did their descendants for another two centuries.

When Isabella of Castile and Ferdinand of Aragon conquered the Moorish capital of Granada, which was the last bastion of Spanish Islam in the country, they held so much admiration for Moorish culture that they often took to dressing in Moorish clothing. They preserved the Alhambra Palace, rather than destroying it, and Isabella’s final resting place lies in Granada. I think that speaks volumes. 

 I am truly fortunate that the primary setting of this story, the Alhambra Palace in Granada still exists and is open of visitors. The ability to tour the same places my characters would have lived in and experienced in medieval times added to the authenticity ofSultana.


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Friday, June 24, 2011

Toward Night's End by M.H. Sargent


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This WWII novel of Japanese-American honor and patriotism begins on March 30, 1942 when more than 250 Japanese-Americans living on Bainbridge Island, in Puget Sound, Washington, are being evacuated. The process goes quite smoothly until the Army discovers that a 21-year old Japanese-American fisherman, Matthew Kobata, is missing. During their search for Matthew, two Caucasian men are found murdered on the island.

Seattle detective Elroy Johnstone has come to the island to investigate the murders, and evidence is leading him to suspect Matthew may be involved. But he is one step behind as Matthew escapes on his fishing boat. With Matthew now emerging as the prime suspect in the murders, the detective’s investigation then takes him to Seattle where another murder has occurred. This time a Japanese-American.

Complicating matters, the coroner finds that both the Japanese-American and one of the Caucasian men have identical tattoos, both on the left ankle. But what do these tattoos mean? And who has killed these three men? Matthew? And if so, why? And most important, where is Matthew?

Johnstone’s investigation will take him from Seattle’s Naval Air Station to the Manzanar Relocation Center in Owens Valley, California, and back to Bainbridge Island. And, although he doesn’t know it, the clock is ticking and a countdown is in place for an event that could result in the unthinkable taking place Toward Night’s End.

Excerpt 

Busy now chopping onions that would go into a meager stew for that evening’s meal, Kumiko literally jumped when another woman, came running through the mess hall’s back door, full of excitement. 
“Rice! Rice! We have rice!”

Kumiko couldn’t believe it and like the others, she quickly went outside. An Army Jeep was parked at the back door. Sacks and sacks of rice were being unloaded by two privates.
There was much discussion among them as to how much rice they should prepare, but it was finally decided, they would make as much rice as they could with the pots and pans they had available and serve it with the staple luncheon meat of the day – hotdogs. And that evening, there would be rice to go with the stew. Not potatoes.

And for the first time in what felt like forever, the entire Japanese-American mess hall staff praised Kumiko for getting the rice. She glowed at the warm reception, so at odds with the usual chill she received each and every day.

When the detainees filed in to lunch that afternoon, they were thrilled beyond belief to finally taste white rice again, and word quickly spread that it was due to Kumiko’s lobbying efforts. However, her enjoyment of the people’s goodwill was extremely short lived as it simply embittered others who insisted that she had only been able to get the rice because she was working in cahoots with the Army. So in one afternoon, she went from being praised for obtaining the rice, to being scorned – for obtaining the rice.
And so it went.

About M.H. Sargent

I have written for newspapers, magazines and even written some screenplays. Writing novels is my love, though. I now have 5 published titles: Seven Days From Sunday, The Shot To Die For, Operation Spider Web, The Yemen Connection and Toward Night’s End.

Interview with M.H. Sargent

N.L. Earnshaw: What will readers like about your book? 

M.H. Sargent: Anyone that likes a good mystery, will enjoy this book. I also think it gives a fair glimpse into what life was like for the thousands of Japanese-Americans put in camps during WWII.


N.L. Earnshaw: Why did you self publish? 

M.H. Sargent: I tried the traditional publishing route for years, had an agent for a while, but my stories were too controversial – my books dealing with present day Iraq, or this book which takes a slightly different view of the Japanese-American situation during WWII, opening the door to the idea that maybe not all the Japanese-Americans were pro-U.S.

N.L. Earnshaw: What is your writing process? 

M.H. Sargent: I usually write about 5 hours a day, starting early in the morning.

N.L. Earnshaw: How long does it take you to write your first draft? 

M.H. Sargent: Six to eight months.

N.L. Earnshaw: What inspired you to write this particular story? 

M.H. Sargent: My grandfather had a dairy farm in Norwalk, California for many years. He was an attorney and like many farmers in that region, he had Japanese tenant farmers handle the day-to-day operations of the farm. When the war started and the Japanese-Americans were put in camps, it was left to the land owners, their kids, etc., to help keep the farms going. A neighbor’s teenager, then doing the chores the Japanese-Americans usually did, uncovered an anti-aircraft gun hidden under a huge haystack in the barn. The Army was called and they picked up the massive weapon.

When I first heard this story, my imagination went into overdrive. How did they even get an anti-aircraft gun? When was it going to be used? Was there some sort of plan? A date of an attack and they were going to use it against our own planes? Of course, hearing the story also went against everything I had believed – that the Japanese-Americans should not have been sent to camps, they were pro-America, etc. But then I realized that you can’t put tens of thousands of people all in one category. What happened on that farm in Norwalk, California, did in fact happen. Of course, if the same event took place today, the teenager that found the anti-aircraft gun would put it on his Facebook page, send out text photos and messages to all his friends, etc. But in those days, it was kept very quiet. And for whatever reason, I couldn’t stop thinking about it. So, I ended up basing a fictional story on it.




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Wednesday, May 18, 2011

Mad Gods by Athanasios



Kindle Price: 
$2.99
Available from: 
Authors websites: 
Website
Blog



Bible Revelation is metaphorically crucified when the Antichrist refuses his destiny and makes an apocalyptic escape from Satanists, Templars, Dark Nobility & the Catholic Church.  

Kostadino Paleologos searches the entire world for a codex that is rumored to catalogue the Antichrist's past lives and finding it, throws prophecy into chaos.

He kidnaps and raises the infant Antichrist: calls him Adam and teaches what he learned in his search for the Idammah-Gan Codex.
He shows Adam that the truth to which every faith aspires cannot be seen because we who comprise these faiths: are flawed.
We see, hear, smell, taste and touch with inadequate tools. Even our intellect, on that which we rely to understand is limited; unable to comprehend the totality of truth.

Truth is too large -or too small- to absorb; it transcends everything. In the end the Antichrist sees that religion i.e. faith is outside reason, but whatever solace we get is lost in the translation. 

Thursday, April 28, 2011

Shadows of Destiny by Gale Minchew

Kindle Price:
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Available from:
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Author's websites:
Website
galeminchew.bravejournal.com
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On the banks of a sleepy bayou, a lost soul is nestled in the piney woods of East Texas, waiting and watching in the darkness of the shadows. He is feverishly seeking the past but is inevitably snared in the present and will stop at nothing to find his destiny.

Alarmed by this lost soul that stalks her while she sleeps, Analise Michaels struggles to find meaning within her dreams. Instead, she finds danger down the street, across the ocean, and through the realms of time without ever leaving town.

Analise is not like other teenagers. She can see and hear what others refuse to acknowledge.

Sunday, April 24, 2011

JENKINS: Confederate Blockade Runner by Emily Hill

Based on a true story of adventure, treason, betray and love – both lost and recovered – JENKINS: Confederate Blockade Runner will satisfy your hunger for adventure, your longing for the past, and your curiosity about how one community fought among themselves in the war that pitted Brother against Brother. Beginning in Baltimore, Maryland’s 1820’s JENKINS: Confederate Blockade Runner takes the reader on a ride with Newburne’s Company of Mounted Rifles, through the settler days of Fair Haven, Vermont and along the beautiful Gulf Coast, ravaged by the Civil War. Inspired by the photograph album of family pictures that kept C.T. Jenkins company during his incarceration as a convicted blockade runner, Emily Hill, “A Civil War Lady” and current caretaker of that album, weaves a drama that is receiving high praise. Historically true to the facts, emotionally true to the past.

Friday, April 22, 2011

Dignity by Naomi Marx

A novella set in 1483 Portugal during King John II reign, in one of the most prosperous Kingdoms of the time, Rachel, a princess of the throne has been arranged to marry her cousin, suffocated by the lack of anything meaningful in her life she face’s being tried with treason for wanting something other then what exists in the Kingdom. She is faced with the question, to stay in throne, marry her cousin and remain noble. Or face being tried with treason, even death in order to maintain her dignity.

Sunday, April 17, 2011

The Wars of Gods and Men by W. Brondt Kamffer

Eboric and his wife Idonea, a pagan witch, successfully assassinate the King of East Osland, usurping his throne in the process. Together, they reignite a centuries-old civil war with West Osland, ruled by the peace-loving Ayern, who was responsible for ending the war in the recent past.

Meanwhile, the ambitious Kjar Kolrig has united the fractured tribes of Vistgard, and now seeks to invade Osland in a bid to expand his fledgling empire. He is supported by a school of sorcerers, though they soon begin to undermine his war effort.

All of them become ensnared in an ancient conflict between the pagan gods and the Ossian God Eom, which threatens to ruin both Eboric and Kolrig, as well as their kingdoms, if neither man can surrender his pride.

Sunday, April 10, 2011

Unmentionables - David Greene

Unmentionables is about two pairs of lovers in the 19th century in the American Civil War south. One couple is straight, white, and wealthy. The other couple is gay, black, and enslaved.
Field hand Jimmy meets Cato, a house servant from a nearby plantation. Jimmy, who despises whites, mistakes Cato for a white man. But soon he learns that Cato is only half white. Cato is the illegitimate son of plantation owner Augustus Askew. With time, Jimmy's fascination with Cato grows into romantic love.
Unmentionables is also the story of Dorothy Holland, whose parents own Jimmy. Dorothy does not want any man to control her life. When she falls in love with Cato's half-brother, William Askew, she must persuade him to agree to her terms, and to betray his role as a Confederate army officer.

Friday, April 8, 2011

About Vestal Virgin

Vestal Virgin—suspense in ancient Rome

Elissa Rubria Honoria is a Vestal Virgin--priestess of the sacred flame, a visionary, and one of the most powerful women in Rome. Vestals are sacrosanct, sworn to chastity on penalty of death, but the emperor, Nero, holds himself above the law. He pursues Elissa, engaging her in a deadly game of wits and sexuality. Or is Elissa really the pursuer? She stumbles on dark secrets. No longer trusting Roman gods, she follows a new god, Jesus of Nazareth, jeopardizing her life and the future of The Roman Empire.

• New York Times bestselling author Terry Brooks says,

“...a writer of real talent...a promising new voice.”

Thursday, April 7, 2011

Synopsis:
Isabel's quiet life as an assistant to one of London's famous apothecaries hides a deadly secret.  A secret that could see her put on trial for witchcraft if the authorities uncover the truth. But when the authority figure who turns up at her shop is Sir Nicholas Merritt, she's at risk of losing more than her life. She could lose her heart and soul, and the man she loves.

Royal spy Sir Nicholas Merritt can't believe his luck when he stumbles upon

Isabel during an investigation. He's been searching for her for seven long years and now he has her again, in his bed and his life. Except she's resisting all the way. Worse still, she's somehow tangled up with a plot to assassinate the queen. To hold onto her this time, he must find out why she left him while hiding a secret of his own that could tear them apart forever.

Freedom's Sword by J.R. Tomlin


Synopsis: Before William Wallace... before Robert the Bruce... there was another Scottish hero...

In 1296, newly knighted by the King of the Scots, Andrew de Moray fights to defend his country against the forces of the ruthless invader, King Edward Longshanks of England. After a bloody defeat in battle, he is dragged in chains to an English dungeon.

Soon the young knight escapes. He returns to find Scotland under the heel of a conqueror and his betrothed